TIM BAVINGTON
Tangerine, 2023
Ink on Hahnemule 308gsm paper
24 × 24 in / 61 × 61 cm
Editions 1-10 of 10 + 2AP
$2,000
TIM BAVINGTON
Taken For A Fool, 2021
Synthetic polymer on canvas
72 × 48 × 1 1/2 in (182.9 × 121.9 × 3.8 cm)
$21,000
TIM BAVINGTON
Still Standing, 2023
Ink on Hahnemule 308gsm paper
32 × 24 in / 81.3 × 61 cm
Editions 1-10 of 10 + 2AP
$2,250
TIM BAVINGTON
Come Together, 2023
Ink on Hahnemule 308gsm paper
18 × 24 in / 45.7 × 61 cm
Editions 2-10 of 10 + 2AP
$1,750
TIM BAVINGTON
15 Minutes, 2021
Synthetic polymer on canvas
24 × 96 × 1 1/2 in (61 × 243.8 × 3.8 cm)
$14,000
TIM BAVINGTON
Heartbreaker, 2023
steel, aluminum, and paint
120 1/4 x 60 x 24 ins / 305.4 x 152.4 x 61 cms
Edition of 3 plus 1 artist's proof
(TB.S2023.001)
$75,000.
Kiss #3, 2014
Synthetic polymer on canvas over panel
71 × 60 × 1.75 in (180.3 × 152.4 × 4.4 cm)
For Sale - $30,000
Study for Kiss #3, 2014
Acrylic on paper
36 × 21 in (91.4 × 53.3 cm)
For Sale -$4,500
Spain, 2002
Acrylic on canvas
88 x 44 in (223.5 x 11.8 cm)
For Sale - $20,000
Spring (At Last), 2007
Synthetic Polymers on Canvas
96 × 192 × 2 in (243.8 × 487.7 × 5.1 cm)
For Sale - $50,000
Underdog, 2020
Ink on Hahnemule 308gsm paper
24 × 48.5 in (61 × 123.2 cm)
For Sale - $2,500
518 Beats (Ready, Steady, Go!), 2011 / ink jet print on 308gsm Hahnemuhle paper / image: 32 x 32 inches, paper: 37 x 37 inches / Edition of 12 + 3 APs
$2000
Also available in 24 x 24 inches / Edition of 12 + 3 APs
12 Bar Blues, 2009 / archival ink jet print on Arches paper / 18 x 18 inches each
series of 12 prints. edition of 12.
Music is the genesis of Tim Bavington's paintings. Through synthetic polymer paint, Bavington acts as a translator between the aural and the visual as he transforms guitar solos, melodies and bass lines into vertical bands of color. Tracks from bands such as The Beatles, The Jam, Oasis, and The Rolling Stones become vibrant bands of color, and bridge compositional concepts between seemingly unlike disciplines. Although Bavington has a method that designates sound to color and composition, the paintings are not literal translations; they remain open to intuition and decision-making, allowing for a distinct artistic presence.
Tim Bavington (b. 1966, England) received his BFA from the Art Center (CA) before making the permanent move to Las Vegas, where he completed his MFA at the University of Nevada, Las Vegas (NV). His work is included in the public collections of Fredrick R. Weisman Collection (CA), Crocker Art Museum (CA), Honolulu Art Museum (HI), Albright-Knox Art Gallery (NY), Creative Artists Agency (CA), Joslyn Art Museum (NE), Museum of Contemporary Art, San Diego (CA), Portland Art Museum (OR), United Talent Agency (CA), Vivendi Universal (CA), Palm Springs Art Museum (CA), Denver Art Museum (CO), The Museum of Modern Art (NY), Nora Eccles Harrison Museum of Art, Utah State University (UT) and the McNay Art Museum (TX). He has exhibited at LeeAhn Gallery (Daegu), Jack Shainman Gallery (NY), Galerie Jean-Luc & Takako Richard (Paris), Space Gallery (London), Museum of Fine Arts (MA), Laguna Art Museum (CA), Museo de Arte Contemporaneo de Buenos Aires, and the Texas Fine Arts Center (TX) among others.
For a full biography and curriculum vitae, please click the PDF download link below.