ULTRASONIC INTERNATIONAL

Emily Counts, Craig Fisher, Kimberley Hart, Andrea Hornick, Jun-Ho Kwon, Jonas Ohlsson, Kim Rugg, Ali Smith, Ben Weiner, Kenichi Yokono

July 8 – August 19, 2006

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Kim Rugg, 'Attack on America' Financial Times Sept 12 2001, newsprint, 23 x 13 inches

Kim Rugg, 'Attack on America' Financial Times Sept 12 2001 - DETAIL

Kim Rugg, 'Death of a Superhero' The Daily Telegraph, death of Christopher Reeve, newsprint

Kim Rugg, 'Death of a Superhero' The Daily Telegraph, death of Christopher Reeve - DETAIL

Craig Fisher
Wide Boy, 2005
car upholstery and mixed media

Kimberley Hart
Decoy, 2005
felt, latch-hook rug and beads
variable dimensions

Kimberley Hart, 2005
Decoy, 2005 (alternate view)
felt, latch-hook rug and beads
variable dimensions

Ali Smith
Everything I Don't Understand #3 (Masthead Ancestry), 2006
oil on canvas
70 x 50 inches

Kenichi Yokono
Installation

Kenichi Yokono
Monster, 2006
wood block
71 x 65 inches

Kenichi Yokono
Hair Clipper, 2005
wood block
32 x 21 inches

Kenichi Yokono
Chandelier, 2005
wood block
22 1/2 x 23 inches

Kenichi Yokono
Chainsaw, 2005
wood block
33 x 21 inches

Kenichi Yokono
Alligator, 2005
wood block
32 x 21 inches

Ben Weiner
The Birth, 2006
oil on canvas
60 x 90 inches

Andrea Hornick
Shipping in a Calm at Newport with a States General Yacht Firing a Salute, 2005
oil on linen
46 x 64 inches

Andrea Hornick
Spanish Armada Glass Dining Room Table, 2005
oil on linen on panel
40 x 58 inches

Jun Ho Kwon
Mountain, 2005
stepladder and paper

Jun Ho Kwon
Big Bang, 2006
multi - media
84 x 23 x 60 inches

Emily Counts
A Case for the Bare Bottom Detectives, 2006
Gouache on paper
49 x 68 inches

Emily Counts
Friends and Foes at Devil's Spring, 2006
55 x 66 inches
gouache on paper

Jonas Ohlsson
Rare Bird, 2006
Gouache, graphite, oil crayons and pen on paper
25 x 33 inches

Jonas Ohlsson
Skiressort Revelation, 2006
Gouache, graphite, oil crayons and pen on paper
33 x 25 inches

Jonas Ohlsson
Volvo Ocean Race, 2006
Gouache, graphite, oil crayons and pen on paper
25 x 33 inches

Press Release

Mark Moore Gallery is pleased to present the first in a series of annual summer exhibitions dedicated to featuring young talent from around the world. Artists from North America, Sweden, Korea, Japan, and the United Kingdom are represented this year.



Emily Counts

Craig Fisher

Kimberley Hart

Andrea Hornick

Jun-Ho Kwon

Jonas Ohlsson

Kim Rugg

Ali Smith

Ben Weiner

Kenichi Yokono



Emily Counts (US - Portland): Influenced by children's book covers, like the Nancy Drew Mysteries, Counts constructs narrative drawings and installations in which personal fantasies play out in faux-naive settings with dark and cryptic undertones, often with sexual connotations.



Craig Fisher (UK): In juxtaposing fabric and craft with images of violence, Fisher subverts the significance of masculinity, exemplified by contemporary technology, into a sculptural position where an attempt at reconciliation of these 'opposing' sensibilities may occur.



Kimberley Hart (US - NYC): With a preoccupation with the more malevolent inclinations of the quintessential sweet girl, Hart utilizes the conventions of sentimentality, with its excessive, indulgent, and at times sardonic sensibilities and kitsch materials to present a Grimm fairytale of the reality of female childhood.



Andrea Hornick (US - NYC): Hornick's lush paintings originate within a dialogue with the traditions of maritime painting and move into a relationship between the abstract and the representational and formal elements.



Jun Ho Kwon (Korea): With a new take on assemblage, Kwon makes complex and often slyly comic sculptural works that address multiple concerns within each eclectic work that locates itself in relation to the cartography of ideas and literal mapping.



Jonas Ohlsson (Sweden): A political and moral iconoclast, Ohlsson creates drawings, installations and music to disrupt conventional approaches to political/societal issues and to question moral/ethical positions in an aggressive style, accentuating the hand-crafted and 'outsider' qualities.



Kim Rugg (UK): Rugg uses everyday materials such as newspapers to examine meaning in relation to construction, by taking apart and dissecting existing objects into their components in an incredible obsessive process, her reordering highlights systems of information and questions their content.



Ali Smith (US - LA): Via fantastical landscapes, a la Dr. Seuss, Smith coalesces rich impasto paintings which push the physicality of their production to extremes while attending to odd juxtapositions of representational and abstract elements from an interior mental space.



Ben Weiner (US - NYC): Weiner's paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. In doing so, they self-critically describe the duality of their own identity as both transcendent creation and commercial item in a photo-realistic technique.



Kenichi Yokono (Japan): Using traditional Japanese woodblock printmaking techniques, Yokono presents contemporary figurative scenarios which explore the manga/anime influence within a larger present culture, often in humorous narrative form.

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