100 Special Moments, 2004 / Digital C-print / 44 x 34 in / Edition of 7
TODEM (Tapestry of Decadent Meritocracy), 2023 / Animation, website, AI, blockchain / Dimensions: Entire work: 100K x 58K pixels (~2,800 HD screens or 5,800 megapixels), 10 seconds looped. Divided separately into 1,000 unique Tiles, varying in size, fitted together to create the full animation
Narrative Walk (Illuminated Manuscripts), 2019 / Wallpaper, real-time video, custom software, framed monitor / Duration: 24 hours 0 minutes 0 seconds / Edition of 3
Narrative Frame (Illuminated Manuscripts 7), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 8), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 6), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 5), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 3), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 4), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 2), 2019 / Archival pigment print / 17 1/2 x 13 1/2 in / Ed of 5
Narrative Frame (Illuminated Manuscripts 1), 2019 / Archival pigment print, edition of 5 / 17 1/2 x 13 1/2 in / Ed of 5
American Varietal (US Population, by County 1790-2000), 2009 / Lights, electronics, five tons structural steel / 126 x 492 x 5 in
All the Ways (Couch Gag), 2016 / archival inkjet on paper / 42” x 55.25” / Ed. 5
All the Ways (Seasons 4 & 5), 2016 / archival inkjet on paper / 77.5” x 59”/ Ed of 5
The Smith-Jones Checkerboard, 2012 / Digital C-print / 22 x 22 inches / edition of 12
Collection of Crocker Art Museum (CA)
Good & Evil, 2012 / 2 archival inkjet prints, dual monitors, computer & custom software of 50,000 files / 79 x 45 inches / Edition of 5 + 2 APs (starting at Ed. 4)
One Week Skin (HBO-Sq), 2012 / Archival inkjet print / 67 x 57.75 inches
The End, 2016 / archival inkjet on paper / 25” x 33” / Ed 5
Episode 550 /archival inkjet on paper / 25” x 33” / Ed 5
One Week Skin (CNN-Hs), 2012 / Archival Inkjet / 51 x 76.25 inches / Ed 7 + 2 APs (starting at Ed. 2)
Chalkboard Gag, 2016 /archival inkjet on paper/ 25” x 33” / Ed 5
One Week Skin (ESPN-Vs), 2012 / Archival Inkjet / 70 x 53 inches / Ed 7 + 2 APs
Collection of the Norton Museum of Art (FL)
Mr. Plow, 2016 /archival inkjet on paper / 25” x 33” / Ed 5
Wheel, 2012 / Archival Inkjet mounted to 1/4" gator-board
Using software processes of his own design, Jason Salavon generates and reconfigures masses of communal material to present new perspectives on the familiar. Though formally varied, his projects frequently manipulate the roles of individual elements derived from diverse visual populations. This often unearths unexpected patterns in the relationship between the part and the whole, the individual and the group. Reflecting a natural attraction to popular culture and the day-to-day, his work regularly incorporates the use of common references and source material. Often, the final compositions are exhibited as art objects – such as photographic prints and video installations – while others exist in a real-time software context.
Born in 1970 in Indianapolis, Salavon obtained his MFA from Art Institute Chicago (IL). He has had solo exhibitions in New York, Chicago, Los Angeles, Columbus, Washington D.C. Houston, Seattle, Cologne, Seoul, London, Geneva, Basel and Paris, among others, and been featured in exhibitions at venues such as the Metropolitan Museum of Art (NY), Smithsonian Institution (D.C.), and Los Angeles County Museum of Art (CA). Salavon's work has been acquired for the public collections of the International Center of Photography (NY), Whitney Museum of American Art (NY), Los Angeles County Museum of Art (CA), Museum of Fine Arts (TX), Museum of Contemporary Art (IL), the Metropolitan Museum of Art (NY), Columbus Museum of Art (OH), Cleveland Museum of Art (OH) and more. In 2013, he was named one of the "50 Under 50: The Next Most Collectible Artists" by Art + Auction Magazine. Salavon lives and works in Chicago, IL.
For a full biography and curriculum vitae, please click on the PDF download link below.