Grayout, 2013
Video/Film/Animation
0 hours 10 mins 0 secs
Editions 2-4 of 10
For sale: $600
Adult Situations, 2024
Sculpture: Found object, wax, denim sandbag
60 × 16 × 16 in (152.4 × 40.6 × 40.6 cm)
For sale: $2400
A Ladies Man, 2024
Sculpture: Bronze, fountain motor, bucket, plumbing
64 × 23 × 23 in (162.6 × 58.4 × 58.4 cm)
For sale: $8000
Uncanny My Fanny 2024
Sculpture: Aluminum
27 × 18 1/2 × 19 in (68.6 × 47 × 48.3 cm)
For sale: $2500
Isolated Occurence, 2023
Pink quartzite, aluminum
25 1/2 x 16 3/4 x 1 1/4 in
For Sale - $2,200
How Did We Live Here?, 2023
Bronze
72 x 36 x 14 in
For Sale - $6,500
The End of Numbers, 2023
Pewter, steel
51 x 8 x 8 in
For Sale - $2,200
Consequences of Action, 2023
Glass
3 x 2 1/4 in x 2 in
For Sale - $950
Bad History, 2023
Aluminum
25 x 16 x 3 in
For Sale - $3,200
Future Ruin, 2022
Digital print
8 x 16 in
Editions 1-3 of 3
For Sale - $950
Near Future, 2022
Glass
24 x 14 x 9 in
For Sale - $5,000
Benares_02, 2021
Watrercolor on paper
26 x 39 x 13 1/2 in
For Sale - $4,800
Untitled, 2021
Bronze
13 x 12 x 5 in
For Sale - $3,200
Abattis, 2021
Bronze, glass
10 x 10 x 8 in
For Sale - $2,800
Side by Side, 2021
Glass
40 x 12 x 4 in
For Sale - $2,500
Help Yourself, 2008
Aluminium
20 x 24 x 32 in
For Sale - $3,500
Angelus Novus, 2019
Ink jet print
15 1/2 x 11 in
For Sale - $1,200
Separation Anxiety, 2016
Glass
16 x 16 x 6 in
Editions 1-6 of 10
For Sale - $2,400
Separation Anxiety, 2014
Concrete
16 x 16 x 6 in
For Sale - $1,800
Unseen One (01), 2020
Glass, concrete
13 x 13 x 2 in
For Sale - $1,800
How It Is, 2018
Pewter
3 x 3 x 2 in
Edition of 5
For Sale - $950
Celine, 2019
Pewter
3 x 2 1/2 x 2 in
For Sale - $950
A Drug Induced Fever, 2018
Lead
6 x 8 x 10 in
For Sale - $1,200
Athazagoraphobia, 2018
Concrete
8 x 3 x 4 in
For Sale - $1,200
Everyone Was Running (01), 2018
Glass
13 x 11 x 1 in
For Sale - $1,800
Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing's anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”
Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.
Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.