Ultrasonic V

It's Only Natural

September 11 – October 16, 2010

Dave Deany / Private Road, 2009 / oil, paper and ink on panel / 48 x 53 inches

Andrew Guenther / Drawing Table, 2010
Table, pencils, clips, jar, white noise machine, paper and chair / dimensions variable

Carrie Moyer / Rapa Nui Smashup, 2009 / acrylic and glitter on canvas / 60 x 40 inches

Carrie Moyer / Tableau, 2008 / acrylic and glitter on canvas / 90 x 66 inches

David Rathman / Lord, There's So Much Hell to Raise, 2010
Ink and watercolor on Yupo paper / 20 x 26 inches

David Rathman / The Day Attacked Me Without Warning, 2010
Ink and watercolor on Yupo paper / 20 x 26 inches

David Rathman / Living with Linda Used to be Fun, 2010
ink and watercolor on paper / 20 x 26 inches

Colin Roberts / Bubblewrap, 2010 / clear urethane / 34 x 34 inches / Edition of 4, 1 AP

Colin Roberts / Float, 2009 / graphite on paper / 15 x 10 inches

Colin Roberts / Tokyo Nights, 2010 / plexiglass / 22 x 13 x 20 inches

Brion Nuda Rosch / Dusicyon Australis, 2010
Acrylic on paper on found book page / 11 x 8.5 inches

Brion Nuda Rosch / Lupus Hodophilax, 2010
Acrylic on paper on found book page / 11 x 8.5 inches

Brion Nuda Rosch / Vanished 1700 through 1900, 2010
Acrylic on paper on found book pages / 48 x 32 inches

Dani Tull / Golden Eagle, 2010
Encaustic wax, acrylic and oil on stretched burlap / 60 x 48 inches

Dani Tull / Evolver 3, 2010
Encaustic wax, acrylic and oil on stretched burlap / 20 x 16 inches

Dani Tull / Solar Body, 2010 / encaustic wax, acrylic and oil on panel / 60 x 72 inches

Press Release

Opening Reception: Saturday, September 11, 5-7p

Featuring: Dave Deany, Andrew Guenther, Carrie Moyer, David Rathman, Colin Roberts, Brion Nuda Rosch and Dani Tull

For its fifth annual survey of emerging artists, Mark Moore Gallery is thrilled to present works by seven distinctive talents. Diverse in medium and technique, the selected artists of Ultrasonic V: It's Only Natural assess our innate fascination with self-contextualization, namely through means of archive, taxonomy and cognition.

With gentle allusions to Freudian behavioral repression, Dave Deany's paintings typify concepts of the indigenous and "otherness" in the face of societal development. Similarly, Carrie Moyer's acrylic and glitter canvases toy with visceral abstraction and art historical references in order to evaluate latent signifiers of cultural paradigms. Colin Roberts' delicate sculptures and graphite drawings navigate the divide between the subconscious and conscious, oftentimes referencing a likeness to uncharted wilderness, while Dani Tull's atmospheric wax compositions create a seemingly metaphysical presence though their Shamanist foundations. Exploring the uniquely human tendency to commemorate our experiences, Andrew Guenther's installation denotes our need for "cultural repositories," while Brion Nuda Rosch's found-art collages pinpoint the essence of artistic and evolutionary process. Comparably, David Rathman's sparse watercolors appraise the introspective convictions associated with identity and popular culture, with humor at the core of coping.

For more information about the artists, opening event or to request additional press materials, please contact Catlin Moore, Director.

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